{"id":116728,"date":"2013-05-07T14:51:57","date_gmt":"2013-05-07T17:51:57","guid":{"rendered":"http:\/\/revistapesquisa.fapesp.br\/?p=116728"},"modified":"2013-05-07T16:15:02","modified_gmt":"2013-05-07T19:15:02","slug":"interventions-on-the-street-2","status":"publish","type":"post","link":"https:\/\/revistapesquisa.fapesp.br\/en\/interventions-on-the-street-2\/","title":{"rendered":"Interventions on the street"},"content":{"rendered":"

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Published in December 2012<\/span><\/p>\n

\"p66_Arte\"Fabio Rodrigues Pozzebom\/ABR<\/span>In 2011, S\u00e3o Paulo artist Eduardo Srur, 39, released 360 floats bearing the slogan \u201cArt saves\u201d onto the reflecting pools at Brazil\u2019s National Congress in Bras\u00edlia. Srur was attempting to put into practice the idea that artistic initiatives can communicate messages about social issues. Srur is part of a long and fru<\/a>itful line of avant-garde artists who have sought to use the tools of artistic creation in a manner that connects art with the everyday lives of individuals, transforming public spaces into a platform for experimentation.<\/p>\n

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