{"id":23956,"date":"2012-10-23T18:33:37","date_gmt":"2012-10-23T20:33:37","guid":{"rendered":"http:\/\/revistapesquisa.fapesp.br\/?p=21119"},"modified":"2015-06-08T17:50:25","modified_gmt":"2015-06-08T20:50:25","slug":"like-a-glove-2","status":"publish","type":"post","link":"https:\/\/revistapesquisa.fapesp.br\/en\/like-a-glove-2\/","title":{"rendered":"Like a glove"},"content":{"rendered":"<p><a href=\"http:\/\/revistapesquisa.fapesp.br\/wp-content\/uploads\/2012\/10\/102-103_Artes_189-e1433796202166.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-185210 alignright\" src=\"http:\/\/revistapesquisa.fapesp.br\/wp-content\/uploads\/2012\/10\/102-103_Artes_189-e1433796202166-300x262.jpg\" alt=\"102-103_Artes_189\" width=\"300\" height=\"262\" \/><\/a><\/p>\n<p><em>Published in November 2011<\/em><\/p>\n<p>The installation above, a steel mesh that involves balls of various colors and sizes, is one of the most attractive creations of the Brazilian artist Cildo Meireles, who named it Glove Trotter. Meireles\u2019 work was one of the featured attractions of the 32nd Panorama of the Arts at S\u00e3o Paulo City\u2019s Modern Art Museum (MAM). The artist now plans to take another installation, Abajour, to the Serralves Museum in Porto (Portugal) in 2013. Abajour, which was one of the highlights of the 29th S\u00e3o Paulo Biennial Art Show in 2010, will then travel from Porto to Madrid (Spain). Cildo Meireles\u2019 work was the subject of an article in the Art section of the November 2011 issue of Pesquisa FAPESP.<\/p>\n","protected":false},"excerpt":{"rendered":"Like a glove","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[154],"tags":[],"coauthors":[93],"class_list":["post-23956","post","type-post","status-publish","format-standard","hentry","category-arts"],"acf":[],"_links":{"self":[{"href":"https:\/\/revistapesquisa.fapesp.br\/en\/wp-json\/wp\/v2\/posts\/23956","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistapesquisa.fapesp.br\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistapesquisa.fapesp.br\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistapesquisa.fapesp.br\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/revistapesquisa.fapesp.br\/en\/wp-json\/wp\/v2\/comments?post=23956"}],"version-history":[{"count":0,"href":"https:\/\/revistapesquisa.fapesp.br\/en\/wp-json\/wp\/v2\/posts\/23956\/revisions"}],"wp:attachment":[{"href":"https:\/\/revistapesquisa.fapesp.br\/en\/wp-json\/wp\/v2\/media?parent=23956"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistapesquisa.fapesp.br\/en\/wp-json\/wp\/v2\/categories?post=23956"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistapesquisa.fapesp.br\/en\/wp-json\/wp\/v2\/tags?post=23956"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistapesquisa.fapesp.br\/en\/wp-json\/wp\/v2\/coauthors?post=23956"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}