{"id":118171,"date":"2013-05-15T18:07:20","date_gmt":"2013-05-15T21:07:20","guid":{"rendered":"http:\/\/revistapesquisa.fapesp.br\/?p=118171"},"modified":"2013-05-15T18:08:27","modified_gmt":"2013-05-15T21:08:27","slug":"comme-un-gant","status":"publish","type":"post","link":"https:\/\/revistapesquisa.fapesp.br\/fr\/comme-un-gant\/","title":{"rendered":"Comme un gant"},"content":{"rendered":"<p><em>Publi\u00e9 en Novembre 2011<\/em><\/p>\n<p>L\u2019installation pr\u00e9sent\u00e9e ci-dessus \u2013 une surface en mailles d\u2019acier qui entoure des boules de plusieurs couleurs et tailles \u2013 est l\u2019un des travaux les plus remarquables de l\u2019artiste br\u00e9silien Cildo Meirelles, intitul\u00e9 Glove Trotter. Cildo Meireles a \u00e9t\u00e9 l\u2019un des artistes vedettes du 32\u00ba Panorama das artes, qui a \u00e9t\u00e9 pr\u00e9sent\u00e9 jusqu\u2019en d\u00e9cembre 2011 au Mus\u00e9e d\u2019Art Moderne (MAM) de S\u00e3o Paulo. Actuellement, l\u2019artiste pr\u00e9pare la pr\u00e9sentation d\u2019une autre installation, Abajour, au Mus\u00e9e de Serralves, dans la ville de Porto (Portugal), en 2013, et post\u00e9rieurement \u00e0 Madrid (Espagne). L\u2019\u0153uvre s\u2019est distingu\u00e9e lors de la 29\u00ba Biennale de S\u00e3o Paulo (2010). Le travail de Cildo Meireles a fait l\u2019objet d\u2019un reportage dans la section Art de la revue Pesquisa FAPESP du mois de novembre 2011.<\/p>\n","protected":false},"excerpt":{"rendered":"Comme un gant","protected":false},"author":475,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1174],"tags":[],"coauthors":[785],"class_list":["post-118171","post","type-post","status-publish","format-standard","hentry","category-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/revistapesquisa.fapesp.br\/fr\/wp-json\/wp\/v2\/posts\/118171","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistapesquisa.fapesp.br\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistapesquisa.fapesp.br\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistapesquisa.fapesp.br\/fr\/wp-json\/wp\/v2\/users\/475"}],"replies":[{"embeddable":true,"href":"https:\/\/revistapesquisa.fapesp.br\/fr\/wp-json\/wp\/v2\/comments?post=118171"}],"version-history":[{"count":0,"href":"https:\/\/revistapesquisa.fapesp.br\/fr\/wp-json\/wp\/v2\/posts\/118171\/revisions"}],"wp:attachment":[{"href":"https:\/\/revistapesquisa.fapesp.br\/fr\/wp-json\/wp\/v2\/media?parent=118171"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistapesquisa.fapesp.br\/fr\/wp-json\/wp\/v2\/categories?post=118171"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistapesquisa.fapesp.br\/fr\/wp-json\/wp\/v2\/tags?post=118171"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistapesquisa.fapesp.br\/fr\/wp-json\/wp\/v2\/coauthors?post=118171"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}